|
|
|
Albert Bierstadt Fishing Boats at Capri 13.50 x 19.49 ins / 34.3 x 49.5 cm
Museum of Fine Arts, Boston, USA
|
|
|
|
|
|
|
|
|
|
Albert Bierstadt Seal Rock, California c1872
15.98 x 22.01 ins / 40.6 x 55.9 cm
The Warner Collection of Gulf States Paper Corporation, Tuscaloosa, Alabama, USA
|
|
|
|
|
|
|
|
|
|
Albert Bierstadt Indians Travelling near Fort Laramie 1861
22.99 x 40.16 ins / 58.4 x 102 cm
Manoogian Collection
|
|
|
|
|
|
|
|
|
|
Albert Bierstadt Sunset Over a Mountain Lake 14.02 x 19.49 ins / 35.6 x 49.5 cm
Private collection
|
|
|
|
|
|
|
|
|
|
Albert Bierstadt The Marina Piccola 1859
42.01 x 72.01 ins / 106.7 x 182.9 cm
Albright-Knox Art Gallery, Buffalo, NY, USA
|
|
|
|
|
|
|
|
|
|
Albert Bierstadt Moat Mountain Intervale New Hampshire c1862
19.02 x 25.87 ins / 48.3 x 65.7 cm
The Currier Gallery of Art, Manchester, New Hampshire, USA
|
|
|
|
|
|
|
|
|
|
Albert Bierstadt Gosnold at Cuttyhunk 1858
30.24 x 50.63 ins / 76.8 x 128.6 cm
The Whaling Museum, New Bedford, Massachusetts, USA
|
|
|
|
|
|
|
|
|
|
Albert Bierstadt The Last of the Buffalo 1888
71.26 x 119.25 ins / 181 x 302.9 cm
The Corcoran Gallery of Art, Washington DC, USA
|
|
|
|
|
|
|
|
|
|
Albert Bierstadt The Oregon Trail 1869
Oil on canvas 31 x 49''(78.74 x 1245.46 cm)
signed,lower right Gift of Joseph G Butler III 946-0-101
|
|
|
|
|
|
|
|
|
|
Albert Bierstadt Among the Sierra Nevada Mountains mk68
Oil on canvas
Washington,
Smithsonian American Art Musuem
1868
USA
|
|
|
|
|
|
|
|
|
|
Albert Bierstadt Les Montagnes Rocheuses,Lander's Peak mk75
1863
Huile sur toile
186.1x306.7cm
|
|
|
|
|
|
|
|
|
|
Albert Bierstadt High in the Mountains mk127
23x32
|
|
|
|
|
|
|
|
|
|
Albert Bierstadt Mountain of the Mist mk127
23x32
|
|
|
|
|
|
|
|
|
|
Albert Bierstadt Bahamas Harbour mk127
1882
1830-1902
|
|
|
|
|
|
|
|
|
|
Albert Bierstadt Among the Sierra Nevada,California mk136
Oil on canvas
1868
|
|
|
|
|
|
|
|
|
|
Albert Bierstadt A Storm in t he Rocky Mountains,Mt,Rosalie mk140
1866
Oil on canvas
210.8x361.3cm
|
|
|
|
|
|
|
|
|
|
Albert Bierstadt The Coming Storm mk146
1869
Oil on canvas
|
|
|
|
|
|
|
|
|
|
Albert Bierstadt Yellowstone Falls mk162
1881
Oil on canvas
44x30
|
|
|
|
|
|
|
|
|
|
Albert Bierstadt Island Lake,Wind River Range mk162
1861
Oil on canvas
26x40
|
|
|
|
|
|
|
|
|
|
Albert Bierstadt Last of the Buffalo mk162
c.1888
Oil on board
14x19
|
|
|
|
|
|
|
|
| |
|
|
Albert Bierstadt
|
German-born American Hudson River School Painter, 1830-1902
Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting.
Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career.
Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance
Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.
|